“Rather than merely reflecting the times, ‘In an atomic era, the illustrator should be a reactor’. A nuclear reactor is not a settling prospect but the public-intellectual illustrator, as catalyst, stimulating energy and change. The role is ours by inheritance and duty.”
The Illustrator as Public Intellectual, Weaver 1959 in Jaleen Grove 2017
Photographer Eloïse Turgeon
Studio Greenhouse
Makeup artist Celica Sea

Ravy is an illustrator based in Montreal. She mainly works in communication for organizations, with the press for editorials and with book publishers. She speaks Khmer, French and English.

Born in Canada of Cambodian parents, she grew up with a plural vision of the world. After her Fine Arts degree and her studies in Geography, she chose illustration as her language for social action. Reading the words of Alan Male in his book The Power and Influence of Illustration has convinced her that art with a purpose is key to achieving impact and lasting significance. 

She pursues a research-creation approach with both lenses of visual culture and critical race theory. She finds her inspiration from thinkers whose critical sense makes activism a form of art, like Angela Davis, Naomi Klein and Toni Cade Bambara.

Her personal work focuses on representations and cultural identities, that she explores through narratives of migration and decolonial feminism. Ravy is currently doing a Master in Medias Studies about illustration and its potentiality for political agency and the use of counter narrative in storytelling as an act of resistance. 

She has been telling parts of her family’s migration stories for a decade through fine arts and photography. She has always wanted to make her first documentary film about her parent’s journey. As they still haven’t give their consent, she is considering doing a graphic novel. Her mantra is slowly but surely. 



L’illustration pour des lendemains plus inclusifs, l’engagement de Ravy Puth (R MagazineLucas Mengual, 2020)

Do you think it’s important to promote your Asian heritage in your work as an artist? – Ravy Puth” (Festival Accès Asie & 2nd National Asian Heritage Month Symposium, Laurence Ly, Karianne Sauvé, 2020)

Unite Against Anti-Asian Racism – Unis contre le racisme anti-asiatique #2 #AsiansAreNotTheVirus (Festival Accès Asie & 2nd National Asian Heritage Month Symposium, Laurence Ly & Karianne Sauvé, 2020)

Illustrer pour dénoncer la montée du racisme anti-asiatique (Radio-Canada, Denis Wong, 2020)

Staying Connected: Asian Artists in Quebec (ELAN, June Park, Li Li, 2020)

L’insoutenable légèreté du vélo (Kata Editions, Luca Palladino 2020)

Images, Bicycle, Feminism: The story of a Cyclo-Feminist (Youthreporter, Aline Christina, 2018)

Vélo, féminisme et montagnes (Zigonnage, Patricia Beaulieu, 2017)


The Doll

Nhung Tran-Davies, Second Story Press

Coming for April 2021

A young girl and her family arrive in an airport in a new country. They are refugees, migrants who have travelled across the world to find safety. Inspired by the author’s own experience as a child refugee, when a stranger’s wonderful gift made such a difference that she was determined to repeat it years later.

Comme toi j’ai mon histoire

Table de quartier Hochelaga-Maisonneuve

Ce recueil rassemble une petite partie de l’histoire de femmes inspirantes, leurs parcours migratoires et l’expérience vécue au sein du projet Femmes-relais 200 portes HM. Leurs mots sont simples, précis, sans artifices et touchent droit au coeur.

Photos Lancement de la Campagne féministe antiraciste #Commetoi

Video Lancement du recueil “Comme toi j’ai mon histoire”

Photo: Mélanie Dusseault

Agenda des femmes 2020

Clara Lamy, Éditions du Remue-ménage

À qui réserve-t-on les espaces pour créer et façonner l’imaginaire collectif? Aux petites victoires et concessions célébrées comme des exploits, nous répondons avec ironie: merci pour l’eau – merci pour la base, pour la place qui nous revient de droit. Parler du sujet épineux de la parité implique l’écoute, la rencontre. Nous avons demandé à diverses voix du milieu culturel québécois de partager leurs réflexions sur cet enjeu.

Nos 20 couvertures préférées de 2019 (Les librairies)

 Londonderry vol.2 Bike Touring & Cyclo-feminism

Les dérailleuses, 2018

The book compiles contributions in three languages (French, English, Spanish) from: Sherbrooke, Québec, Montréal, Newport, Denton, New York, Stanciova, México Ciudad, Guadalajara.

Petite histoire du cycloféminisme (HuffpostGabrielle Anctil, 2017)

Suggestions de lecture de l’infolettre #2: juin 2017 (L’Euguélionne)

Photo: Marie-Hélène Belledrye


Le pouvoir des représentations en éducation, RÉDAQ 2020 

Panel: des albums illustrés percutants pour aborder des sujets délicats, Salon du livre de Montréal & Illustration Québec 2019

Le pouvoir des représentations en illustration, Illustration Québec & SDGQ 2019

My story as an artivist, Event: Stories that can change the world, Oxfam-Québec 2019

Artivism & Cyclo-feminism, Ovarian Psycos screening at Cinéma sous les étoiles 2019

Art print

 l’Euguélionne library  Montreal

Violette and Co library, Paris

Exhibition & fairs here.