IT IS THIS RADICAL HOPE THAT KEEPS US AFLOAT AMID THE UNGRIEVABLE.

FROM BURIED TO LIVING ARCHIVES — Imagining Best Of vinyls by Cambodian psychedelic rock legends (1960-70) is a way of reappropriating history. Resurrecting these artifacts, whose disappearance was orchestrated, counteracts the erasure of Cambodian bodies by Orientalism and the Khmer Rouge.

OUR FOOD OUR RESISTANCE – NOM PAO នុំប៉ាវ. Based on an experimental method of oral history revival with my mother. An exploration of cuisine, post-memory and the process of archiving loss. Exhibited at Memories that lull us to sleep, by Art Urbain MTL, 2023

BEAST — An invitation to refuse assimilation at its roots.

Full portfolio

About Me
ប្រវត្តិរូប

The Illustrator as Public Intellectual

Rather than merely reflecting the times, ‘In an atomic era, the illustrator should be a reactor’. A nuclear reactor is not a settling prospect but the public intellectual illustrator, as a catalyst, stimulating energy and change. The role is ours by inheritance and duty.
Jaleen Grove

As an illustrator and scholar, I use illustration in research-creation to seize its agency when language has been lost and history has been rewritten. My work is at the intersection of race, visual culture and critical archival studies, with a specific interest in social movements.

As a Cambodian born in Montreal in the aftermath of the Khmer Rouge genocide, I find healing in focusing my illustration work and research publications on retrieving Khmer memory by re-narrating the lost and distorted archives. Drawn by the challenge of illuminating hope, I aim to turn assimilation strategies into tactics to subvert power and restore agency to the people.

My research explores illustration as radical hope in the face of erasure. At the core of my lifelong work is a reconnection to Khmer oral history and people.

In illustration, I specialize in visual communication, scientific comics, editorial, books, and murals. I hope to add moving images for music videos and films.

I am currently working on my first graphic novel, about the undocumented story of Cambodians in Quebec. I speak Khmer, French, and English.

ILLUSTRATOR AS PROVOCATEUR

THE PRINCIPAL OBJECTIVE IS TO CREATE A PLATFORM TO CHANGE THEIR FRAMES OF REFERENCE BY CRITICALLY REFLECTING ON THEIR ASSUMPTIONS AND BELIEFS. TO CONSCIOUSLY CHALLENGE AND CREATE NEW WAYS OF DEFINING EVERYTHING THAT CONTROLS OR INFLUENCES THEIR WORLD. THIS IS THE PRECEPT THAT DEFINES PROVOCATION.
-ALAN MALE

RESUME

Education

2020 – 2024 | Concordia University, Montreal, Canada

Master’s in Media Studies, Communication – Research-Creation

  • Thesis: Illustration to translate the Oral History of Cambodians in Quebec: From Reminiscing to Archiving Hope, Amid Erasure
  • Creation project: Developing a methodology of visual narrative specific to Cambodian’s intergenerational trauma and loss of common language. Based on techniques of oral history revival, archives reenactment and the re-narration of collective stories. The prototype of illustrations serve as a guideline for a silent graphic novel about the undocumented story of Khmer people in Quebec.
  • Core concepts: erasure & memoricide, Baksbat, silence, post-memory, agency, radical hope
  • Related Topics: collective amnesia, oral history revival, illustration as visual language, reclaiming history, counter-narrative, archives.
  • Fields involved: critical race theory, critical archival studies & visual culture and communication (the cultural studies)

🏆 2022 Funding, Conseil des arts de Montréal

🏆 2020 Steven Goldberg Entry Bursary, Concordia University

2018 | Centre de formation DAWAN, Bordeaux, France

Advanced Certificate in Graphic Design (OPFQ Certification)

  • Adobe Illustrator

2010 – 2013 | Université du Québec à Montréal, Montréal, Canada

Bachelor’s Degree in GeographyMajor in Territorial Analysis and Planning Research

  • Internship 1.5 year: Methodology of research in geography, UQAM & University of West Timisoara (Romania)
  • Memoir: Tourism and Natural Hazards Risk Management in the Carpathian Mountains
  • Other research: Land eviction in Cambodia

2005 – 2007 | Cégep de Saint-Laurent, Montreal, Canada

Diploma of Collegial Studies in Fine Arts

  • Specialization: mixed techniques of painting, clay, fabric and photographs
  • Project: My family’s archives and oral history
  • Organized a collective exhibition with 30 artists and 100 art pieces

🏆 2008 Laureate for Excellence in Community Engagement

🏆 2007 Finalist in the Quebec Inter-College Fine Arts Competition

🏆 2007 for Exhibition Against Racism by Tolerance.Inc

🏆 2006-07 Distinction Among 3 Private Collectors (Paintings)

Professional Experiences

2017 – Present | Illustrator (Independent)

♡ Illustration as radical hope in the face of erasure

♡ Representation & visual narrative: race and gender focus

♡ Visual communication : anti-oppression focus

BOOKS

AWARENESS CAMPAIGNS

  • #MakeChildhoodAPriority #PrioritePetiteEnfance for Early Childhood Week, by Collectif petite enfance, 2021
  • #OnVousCroit, Regroupement québécois des centres d’aide et de lutte contre les agressions à caractère sexuel, 2020
  • #AsiansAreNotTheVirus #LesAsiatiquesNeSontPasLeVirus, Provocateur Pencils, 2020
  • #Commetoi, Table de quartier Hochelaga-Maisonneuve, 2020

RESEARCH ASSISTANT – April 2022 – Present | Simone de Beauvoir Institute, Concordia University

  • Head Researcher: Gada Marhouse
  • Project on revisiting race lexicon: Quebec Black, Indigenous and Women of Colour Activism in 2022: From A to Z
  • Website prototype for future book
  • Co-author: review of critical literature, experimenting a methodology based on oral history interview methods, drawing visual mindmap, writing, meetings

CO-EDITOR & ART DIRECTOR – 2016 – 2021 | Independent Cyclo-Feminist Publishing LES DÉRAILLEUSES

  • Planning projects for gender equity in the cycling world: Workshop and talk, publications, interviews
  • Representative & management of distribution in France
  • Art direction, visual communication of the Londonderry book & flyer, layout and packaging.
    • 🏆 2016 Londonderry won the prize for Best Zine EXPOZINE MTL
Publications

BOOKS

  • Comme toi j’ai une histoire as Illustrator, Femmes-relais et 200 portes HM, 2020 
  • Agenda des femmes 2020 as Illustrator, Éditions du Remue-ménage, 2019 
Exhibitions

2023 Mémoire de l’avenir

Ces mémoires qui nous bercent, by Art Urbain Mtl & Art souterrain Montreal, curated by Camille Larivée

2022 From Buried to Living Archives

  • Shifting Articulations of Asian-ness in Contemporary Canada by Intersections in Art, Curated by Yang Lim
  • Digital Immaterialities Conference Gallery, Concordia University, Montreal
Talk

On Illustrationᅳor Visualizing Hope in the Intricacies of Erasure

Picture from my talk, by Illustration Quebec 2019
Community Building

Ratanak Cambodian Community Farm | 2021 – 2022

  • Agriculture (Asian vegetables), collective cooking and cleaning
  • Bridging 1st and 2nd generation Cambodian-Canadians

Coaching & Mentorship of BIPOC Creatives | 2020 – Present

  • Race and gender-based power dynamics in arts and culture
  • Debunking the Brown imposter syndrome
  • Beyond representation: traps in visual culture
  • Media-making is archive-making
  • Resisting assimilation to Whiteness in the workplace: Learning critical vocabulary & stereotypes
  • Communication with collaborators and clients: Setting boundaries & navigating conflicts
  • Price Negotiations
  • Canadian Copyright Law
  • Transitioning into a freelance profession: Where to start?

Research-Creation Project
ការស្រាវជ្រាវ និងការបង្កើត

A pilot project about my family archives and oral history revival (2021).
“There is so much knowledge that you still don’t know, who will inherit it if you still remain in ignorance? It’s time to rise.”
MASTER KONG NAY & Vannda វណ្ណដា

Research-creation project partly funded by the Conseil des arts de Montréal

Features
ព័ត៌មាន

Interview

Full interview with REVUE ZINC

Full interview with CANADIAN WOMEN IN DESIGN – 2022

Press

Community Building
ការកសាងសហគមន៍

Mentoring illustrators and other creatives 2020-present

Topics: Canadian copyright law, price negotiation, analyzing a contract, making quotes. Through educational visuals, accompaniment on the phone and individual workshop in-person (2020-present).

Launched the campaign #AsiansAreNotTheVirus by Provocateur Pencils in 2020

Over 50 visual artists rallied in the midst of the anti-Asian racism in 2020.

Sketching cafe

Behind the scenes
នៅ​ពី​ក្រោយ​ឆាក

There is no AI in my work and there never will be.

/ᐠ. 。.ᐟ\ᵐᵉᵒʷˎˊ˗

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I AM THANKFUL TO

My mama, cousis and friends’ love, food and support

♡♡ (=◐ᆽ◐=)ฅ ♡♡